



Jonny Green makes paintings of sculptures… Mad-men rendered crudely in plastine and electrical tape or abject-looking re-animated brains adorned with filthy paper flowers and grubby clockwork parts. Each depicted object/character seems to be demanding recognition and validation from the viewer in spite of their manifest flaws, they seem to be trying to adorn themselves in an attempt to make their appearance more palatable. In contrast to the gleeful, almost slapdash making of the sculptures, their subsequent rendering in paint is meticulous. Green explains this approach as ‘an attempt to dignify and document or give testament to something that seemingly lacks dignity or a voice’. The resulting paintings are both still-life and portrait, animate and inanimate. As viewers we experience a kind of cognitive dissonance as we are simultaneously attracted and repelled by them at the same time.
JONNY GREEN (b. 1966 North Yorkshire) graduated from the Royal College of Art with a Masters degree in Fine Art (painting). In the years immediately following art school the artist exhibited extensively both in England and the US, including representing England for the F.I.A.R. Art Prize, an international touring exhibition of the most promising young painters from several different countries. After a break from painting of nearly ten years (during which time he wrote, recorded and released 5 major label albums, toured the world as a musician, wrote 2 short movie soundtracks ((produced by Spike Jonze)) and had his songs used for numerous TV ads), Jonny returned to painting. Recent exhibition highlights have included a museum show ‘Beastly Hall’ at Hall Place in Kent alongside Carsten Höller and Damien Hirst as well as the Nanjing International Art Show in China. In 2015, his exhibitions included Ambiguous Practices-Still Life, Aberystwyth University Gallery, Wales and Collection of Small Paintings, The Contemporary, London along with exhibiting as part of Beers Contemporary’s annual Contemporary Visions V exhibition, London, UK.




HORS SAISON / OFF SEASON - 2012 – 2013
Si le concept de « territoire » désigne un mode de relation entre un groupe d’hommes et un espace, qu’advient-il d’un territoire lorsqu’il cesse d’être fréquenté, utilisé, pratiqué ? Une fois par an, les stations balnéaires construites exclusivement à l’attention des vacanciers se retrouvent délaissées par leurs usagers. Comment s’inscrit dans le visible cette solitude dans laquelle elles sont momentanément plongées ? Quelles transformations cet abandon des hommes opère-t-il sur les paysages et sur les objets du quotidien ? Quel changement d’état implique-t-il ? Que deviennent ces villes
”-plage”, que leur nom même destine à cet usage unique, lorsqu’elles ne servent plus de lieu de vacances ?
”-plage”, que leur nom même destine à cet usage unique, lorsqu’elles ne servent plus de lieu de vacances ?





michael beitz turns familiar objects into twisted sculptural scenarios.
http://www.michaelbeitz.com/





Habitat was the major theme exhibition of the 1967 World Exposition in Montréal.
As a demonstration, it pioneered the design and construction of three-dimensional prefabricated units of habitation. As an urban building type, Habitat sought to mix residential, commercial, and institutional uses to create a more vital neighborhood and provide the amenities of the single-family home in a form adaptable to high densities and constrained budgets. Habitat’s 365 construction modules connect to create 158 residences. These range in size from 600-square-foot one bedroom dwellings to 1800-square-foot four-bedroom dwellings. In all, there are 15 different housing types. Stepped back in their modular placement, each residence has its own roof garden. Houses at all levels are accessed by outdoor pedestrian streets that widen into play areas at numerous locations throughout the building....../
https://www.behance.net/gallery/35751519/Habitat-67
ILLUSTRATOR AND CHARACTER DESIGNER
Jonathan Ball is an illustrator and designer from little old Wales, which is tidily tucked away in a corner of the UK. He loves to draw and is eager for you to pay him for his efforts. This helps feed his family and a small flock of sheep.Behance : mini-movement-and-loops
Behance : pokedstudio
http://www.pokedstudio.com/




Make something levitate and you’ve got an eye-catching conversation starter. Make something float and grow and you’ve got Lyfe, a small planter engineered to float a 12-sided geodesic silicone planter above a wooden base as a “zero-gravity growing system”.
Similar to the magical Hoshinchu Air Bonsai with an electromagnetic base previously devised by the same Swedish company that introduced the Flyte levitating bulb, Lyfe is designed to allow plants to float and rotate for even sunlight exposure throughout the day. But let’s be honest, all this talk is secondary to the pleasure of enjoying a floating indoor garden gently rotating at your desk, a subtle technological feat of electromagnetism.
Designed specifically with air plants in mind – because of their ability to grow without soil – the planter hides a small drainage system to prevent overwatering.
Posted by Gregory Han on design-milk

Un BLOB musicale WebGL dansant et créée avec Three.JS
Pour voir d'autres exemples de cette libraire : http://threejs.org/ Nécessite Chrome.
http://cabbi.bo/CenterYourLove/
All together, it were 22 Adobe Illustrator files that really made my processors sweat.
There are 157 pictures on 123 meters (403.5 ft). 1024 x 465152 px
I first came up with the idea for this project in January 2015 and I started working on it beside my contract works (a selection is featured on MartinPanchaud.ch). All together it took me approximately 1000 hours and I finished it in May 2016.

Le premier livre écrit pour ceux qui se savent pas écrire.
Analphabétisme toucherait au Brésil 13 millions de personnes...
Un projet sympa, un site fluide et mise en page nickel !
https://www.hpmagicwords.com.br/
Court métrage d’animation sur la vie de garage. L’oeuvre est de Léo Brunel actuellement étudiant à Arles.
Here's my third year movie at Mopa, Enjoy ! The theme of this year was the garage.
Soft used : 3dsMax, Zbrush, Vray, Premiere, After Effects, Audition, Photoshop

Photography fanzine curated by Le Crime Paris
Camille Victorine - director of publication
Claire Margueritte - assistant of publication
AAAAA atelier - graphic design and development




Neal Fox is a London based artist.
Born in 1981, he studied at Camberwell Art College and the Royal College of Art. While at the RCA he co-founded Le Gun, the art collective and publication of the same name. Since graduating in 2005 Fox’s work depicting a phantasmagoric journey through the detritus and mythology of pop culture has led to solo exhibitions in London, Munich, Berlin and Paris, and group shows from Brussels to Beijing alongside Damien Hirst, Sarah Lucas, Andy Warhol and Joseph Beuys. In 2013 he and Le Gun featured prominently in the exhibition Memory Palace at the Victoria and Albert Museum in London. Fox has exhibited at the art fairs Art Brussels, Artissima, Drawing Now, FIAC and Art Basel. From a life long fascination with the tales of his dead grandfather, a World War 2 bomber pilot, writer, and hell raiser, Fox’s large scale ink drawings have developed into increasingly layered celebrations of the debauched and iconoclastic characters whose ideas have helped shape our collective consciousness. Remixing and collaging events and connecting trails of thought, he imagines Francis Bacon and William Burroughs taking tea in the ancient Egyptian after life, or Captain Beefheart selling a vacuum cleaner to Aldous Huxley at the Doors of Perception. The British filmmaker Peter Bach is currently working on a TV documentary about Neal Fox.
http://nealfox.co.uk

Style Novels - Silik
Le site Style Novels mélange interactions, illustrations et présentations de produits. Un univers graphique simple et un design visuelle riche. À voir sur www.stylenovels.comMON SITE PRO
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