Artist : Jonny Green
Jonny Green makes paintings of sculptures… Mad-men rendered crudely in plastine and electrical tape or abject-looking re-animated brains adorned with filthy paper flowers and grubby clockwork parts. Each depicted object/character seems to be demanding recognition and validation from the viewer in spite of their manifest flaws, they seem to be trying to adorn themselves in an attempt to make their appearance more palatable. In contrast to the gleeful, almost slapdash making of the sculptures, their subsequent rendering in paint is meticulous. Green explains this approach as ‘an attempt to dignify and document or give testament to something that seemingly lacks dignity or a voice’. The resulting paintings are both still-life and portrait, animate and inanimate. As viewers we experience a kind of cognitive dissonance as we are simultaneously attracted and repelled by them at the same time.
JONNY GREEN (b. 1966 North Yorkshire) graduated from the Royal College of Art with a Masters degree in Fine Art (painting). In the years immediately following art school the artist exhibited extensively both in England and the US, including representing England for the F.I.A.R. Art Prize, an international touring exhibition of the most promising young painters from several different countries. After a break from painting of nearly ten years (during which time he wrote, recorded and released 5 major label albums, toured the world as a musician, wrote 2 short movie soundtracks ((produced by Spike Jonze)) and had his songs used for numerous TV ads), Jonny returned to painting. Recent exhibition highlights have included a museum show ‘Beastly Hall’ at Hall Place in Kent alongside Carsten Höller and Damien Hirst as well as the Nanjing International Art Show in China. In 2015, his exhibitions included Ambiguous Practices-Still Life, Aberystwyth University Gallery, Wales and Collection of Small Paintings, The Contemporary, London along with exhibiting as part of Beers Contemporary’s annual Contemporary Visions V exhibition, London, UK.
Photographe : Fabien Fourcaud
HORS SAISON / OFF SEASON - 2012 – 2013
Si le concept de « territoire » désigne un mode de relation entre un groupe d’hommes et un espace, qu’advient-il d’un territoire lorsqu’il cesse d’être fréquenté, utilisé, pratiqué ? Une fois par an, les stations balnéaires construites exclusivement à l’attention des vacanciers se retrouvent délaissées par leurs usagers. Comment s’inscrit dans le visible cette solitude dans laquelle elles sont momentanément plongées ? Quelles transformations cet abandon des hommes opère-t-il sur les paysages et sur les objets du quotidien ? Quel changement d’état implique-t-il ? Que deviennent ces villes
”-plage”, que leur nom même destine à cet usage unique, lorsqu’elles ne servent plus de lieu de vacances ?
”-plage”, que leur nom même destine à cet usage unique, lorsqu’elles ne servent plus de lieu de vacances ?